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Kamis, 22 September 2011

See 'The X Factor's' Dexter Haygood Party Like It's 1984

This, people. THIS!!!
http://a323.yahoofs.com/ymg/realityrocks__31/realityrocks-76892241-1316746663_thumb.jpg?ymnmYsFDZ1f5I0cyIn case you are confused and have no idea who Dexter Haygood or Xavion are, the former is the 49-year-old, homeless-yet-fabulous, Memphis funk-rocker who auditioned for "The X Factor" this week and bizarrely, against all odds, made it through. And Xavion is the Prince-ly band he fronted in the '80s, a band that put out one glam/disco/rock/soul/new wave/whatever album in the awesome year of 1984.
That album was awesomely titled Burnin' Hot, its lead single was equally awesomely called "Eat Your Heart Out," and the band toured with the awesome Hall & Oates. Twenty-seven years later, Dexter looks about the same, and even appears to be rocking the same space-funkateer wardrobe.
And that is why Dexter Haygood is awesome. So Team Dexter for the win on "The X(avion) Factor." He's my type:


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Tony Bennett apologises for suggesting US provoked 9/11

Tony Bennett in 2011
Tony Bennett … 'I am so grateful to be an American.' Photograph: Picture Perfect/Rex Features
Tony Bennett has apologised for his comments in a recent radio interview, where he blamed US foreign policy for the 9/11 attacks. "I am sorry if my statements suggested anything other than an expression of my love for my country," he wrote. "I am so grateful to be an American."
The 85-year-old singer made headlines for his remarks earlier this week, during a conversation with Howard Stern. "Two wrongs don't make a right," he said at the time, referring to the 9/11 attacks and the subsequent wars in Afghanistan and Iraq. "They flew the plane in, but we caused it. Because we were bombing them, and they told us to stop … Who are the terrorists? Are we the terrorists, or are they the terrorists?"
Bennett has now issued a "clarification" on his Facebook page, underlining his patriotism and pacifism. "As a second world war veteran, I was proud to fight to protect our values, which have made America the greatest country on the planet," he wrote. "There is simply no excuse for terrorism and the murder of the nearly 3,000 innocent victims of the 9/11 attacks on our country."
"My life experiences – ranging from the Battle of the Bulge to marching with Martin Luther King – made me a lifelong humanist and pacifist, and reinforced my belief that violence begets violence and that war is the lowest form of human behaviour."
Bennett's new album, Duets II, was released on Tuesday.
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Avril Lavigne 'scared for her life' before London gig

Avril Lavigne
Avril Lavigne was forced to cut her set short after losing her voice during her London concert date.

The singer arrived on stage 40 minutes late to last night's 'Black Star' tour date at the Hammersmith Apollo following "mechanical difficulties". Her voice then cracked during closing song 'Complicated', leaving the crowd to sing the track.

Lavigne later tweeted that she was having "one of those days", adding: "I had a bad situation right before the show that made me scared for my life - then I lost my voice tonight.

"I feel super sad but I want to thank my fans for understanding and always being there for me. I love u all more then u know xoxoxo."

She later confirmed on her Facebook page that a "security breach" delayed her arrival, adding: "Shortly before my show tonight, there was a breach in security and now the police are handling [it]".

Lavigne played 14 of her hits during the show, including 'Sk8ter Boy', 'Girlfriend' and 'I'm With You'. She also covered 'Fix You' by Coldplay, who she described as "one of my favourite bands of all time".

She is due to play her second London date this evening before a single date at Manchester's O2 Apollo.

> Avril Lavigne: 'I've started work on new pop album

The setlist for Avril Lavigne's 'Black Star' show appears below:

'Black Star'
'What The Hell'
'Smile'
'He Wasn't'
'Airplanes' (B.o.B and Hayley Williams cover)
'My Happy Ending'
'Give Me What I Want'
'Alice'
When You're Gone'
'Fix You' (Coldplay cover)
'Wish You Were Here'
'Girlfriend'
'Don't Tell Me'
'I'm With You'
'Complicated'

Watch the music video for Avril Lavigne's new single 'Wish You Were Here' below:
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Rabu, 21 September 2011

Maroon 5, Christina Aguilera's 'Jagger' Atop Hot 100 For Third Week

http://www.billboard.com/photos/stylus/1140209-the-voice-christina-aguilera-maroon-5-617-409.jpg 
As previously reported, the Billboard Hot 100's splashiest headline this week comes courtesy of Tony Bennett, who becomes the oldest living artist ever to appear on the tally. His duet with Amy Winehouse, "Body and Soul," enters the chart at No. 87, lifting the 85-year-old past then-84-year-old George Burns (in 1980) for the esteemed honor.

Still, other news infuses this week's chart.

Maroon 5's "Moves Like Jagger," featuring Christina Aguilera, spends a third week at No. 1 on the Hot 100, roaring to the No. 1 spot on Radio Songs and holding atop Digital Songs.

"Jagger" blasts 5-1 on Radio Songs with a 14% gain to 123 million all-format audience impressions, according to Nielsen BDS. The song marks Maroon 5's first No. 1 on the chart, passing the twin No. 5 peaks of "This Love" and "She Will Be Loved" in 2004. Aguilera celebrates her third time singing on the country's most-heard song: her debut pop smash "Genie in a Bottle" reigned for three weeks in 1999 and "Lady Marmalade," with Lil' Kim, Mya and P!nk, led for six frames in 2001.


The 5-1 vault of "Jagger" on Radio Songs is the greatest since Jay-Z and Alicia Keys' "Empire State of Mind" bounded 6-1 on the Nov. 28, 2009, chart.

"Jagger" leads Digital Songs for a fourth frame with 221,000 downloads sold (up 1%), according to Nielsen SoundScan.

Former Hot 100 No. 1 "Someone Like You" by Adele holds at No. 2 for a second week with Airplay Gainer honors. The ballad jumps into the Radio Songs top 10 (13-9), surging by 37% to 84 million. The track is the Greatest Gainer on Pop Songs (16-13) and Adult Contemporary (14-13), while bulleting at No. 4 on Triple A, No. 5 on Adult Pop Songs and No. 27 on Rock Songs.


Foster the People's "Pumped Up Kicks" holds at No. 3 on the Hot 100 for a fourth week. The song pushes 10-8 on Radio Songs (90 million, up 11%) and remains at No. 3 on Digital Songs (186,000, down 4%).

LMFAO's former six-week No. 1 - and Billboard's official song of the summer - "Party Rock Anthem," featuring Lauren Bennett and GoonRock (4-4) and Gym Class Heroes' "Stereo Hearts," featuring Maroon 5 lead singer Adam Levine (6-5), round out the Hot 100's top five. The latter song advances 5-4 on Digital Songs (144,000, down 1%) and 16-14 on Radio Songs (63 million, up 9%).

Bad Meets Evil's "Lighters," featuring Bruno Mars, slips 5-6 on the Hot 100 and Cobra Starship's "You Make Me Feel...," featuring Sabi, lifts 11-7 after reaching a previous high point of No. 8 two weeks ago. "Feel" flies to its new peak thanks to gains in digital sales (130,000, up 2%) and airplay (60 million, up 10%).

Closing out the Hot 100's top 10 are Rihanna's "Cheers (Drink to That)" (10-8); Nicki Minaj's "Super Bass" (7-9); and, Lady Gaga's "You and I" (8-10).

Outside the Hot 100's top tier, David Guetta's "Without You," featuring Usher, claims Digital Gainer accolades, charging 23-15. It roars 18-10 on Digital Songs, increasing by 71% to 104,000.

In addition to Bennett's bow with Winehouse, five other songs enter the Hot 100, led by Coldplay's "Paradise" at No. 16. The follow-up to the No. 14-peaking "Every Teardrop Is a Waterfall" opens as the band's third-highest debut, following "Speed of Sound" (No. 8, 2005) and "Viva La Vida" (No. 15, 2008).

"Paradise," the second single from the band's fifth studio album, "Mylo Xyloto," due Oct. 24, begins on Digital Songs at No. 6 (139,000). Radio is already supporting the song, as it launches on the Triple A adult alternative chart at No. 11 and Alternative Songs at No. 24. "Paradise" goes to pop and adult pop radio Oct. 3.

All charts, including the Hot 100, Digital Songs and Radio Songs, will be refreshed tomorrow (Sept. 22) on Billboard.com.
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Duets From Heck!

It struck me last night--while the Emmys ceremony was apparently on TV--that I was not being deliberately obtuse or contrary by instead preferring to listen to the complete discography of Kiki Dee--or at least as much of it as I could muster--than watch a show celebrating humans I was barely familiar with!
Indeed, hearing the strangely attractive Ms. Dee exchange promises with her good friend Elton John that she would not go breakin' his heart--bless them both--filled me with an unexpected warmth and excitement that, dare I suggest, I might not feel watching an episode or two of Glee!
Still, on the drive to work this morning, I saw a dead squirrel on the side of the road and two people arguing in the car next to mine! The marine layer was thick over Santa Monica, and for a moment, quite profoundly, I wondered how many years I had left on this earth!
Then some jerk in a Subaru cut me off and the guy behind me couldn't keep his hand off his horn!
It was then I decided to write my blog this evening and focus on life's most positive aspects! And indeed, I'd just been to Costco two days earlier!

 
Tony Bennett: Duets II (Columbia)  I think most people would agree: As talented as Tony Bennett may be, as distinguished as his recorded catalog is now that he's in his 85th year--there's always been something...missing. Call it what you will--an essential spark, that little something extra that would catapult him to god-among-men status, a hit record--but I'm absolutely convinced he's finally found the answer! And that, of course, would come via this marvelous series of duets with singers the like of Lady Gaga, Michael Bublé, Faith Hill and vocal powerhouse Queen Latifah, who apparently also stars in movies on occasion! Though Bennett may be mixed up a little too loudly on the Latifah track--what the heck, she is the Queen!--I'm convinced he's brought us something here at the very least on the same level as his early hit "I Left My Heart In San Francisco"! I'm also convinced that taxing the rich will put me out of work, evolution is a "quaint" theory, and my unhealthy preoccupation with actress Kat Dennings could lead to unfortunate legal entanglements! Buy this today!
The Lady Is A Tramp - Tony Bennett & Lady Gaga

 
Tori Amos: Night Of Hunters (Deutsche Grammophon)  It's not often that entrancing songstresses offer up a "21st century song cycle inspired by select classical pieces spanning the last 400 years"--well, if you disregard that last Ke$ha album--but here's the always appealing Ms. Amos, artful as ever, skirting the bounds of tradition and offering up a fascinating disc that she says features a female protagonist in the midst of apparent relationship problems! Imagine that! Eminently listenable, soothing and jarring at the same time, and centering on a fascinatingly long recitation about a fellow named John Johnson--who comes from Wisconsin, and works in a lumber yard there--the album is essential listening for all of us who enjoy making mincemeat pies and fruitcakes in preparation for the coming holiday season! Not into that? Well, the Chili Peppers album kind of rocks!
Carry - Tori Amos

 
Gavin DeGraw: Sweeter (J Records)  Call it what you will, but there has always been something special about singer Gavin DeGraw! And I think I finally found out exactly what it is! Staring at the fabulous cover pic on his new album, it suddenly struck me that he's a dead ringer for actor Danny Aiello--who's acting career of course peaked with Madonna's marvelous "Papa Don't Preach" video--and that he wears some of the finest hats in the business! His fourth album, Sweeter--like all of his past work--is entirely inedible, so don't be fooled by desperate record companies and their attempts to sell you things that may not live up to their hype! Still...what a hat!
Not Over You - Gavin DeGraw

 
Ivy: All Hours (Nettwerk)  I've been a long-term fan of Ivy, and I'm pleased to announce their latest set--their first new album in six years--offers up the same quirkily appealing, melodic but strangely somber pop music that has made them an entirely distinctive proposition! The trio--featuring vocalist Dominique Durand, and other dudes Andy Chase and Adam Schlesinger--are slightly less subtle than usual here, relying on machine-generated beats more than they have in the past, but the meat of the songs, generally sung by Durand and addressed to some unnamed party, remains thematically consistent, dandy, and better than you'd generally expect in these days of Taylor Swift, reality TV, and five-dollar cups of coffee! Plus, the album cover makes them look like superheroes! I'd buy this and probably take it home and listen to it!
Distant Lights - Ivy

SuperHeavy: Superheavy (Universal Republic)  While a part of me says, "C'mon you've got to be kidding" about this project--which teams Mick Jagger with Eurythmic Dave Stewart, Joss Stone, Damian Marley and Slumdog Millionaire composer A.R. Rahman--I'm detached enough from all of life to simply step back, let it play, enjoy the rhythms, and, every once in a while, say, "Hey, that guy singing there sounds just like Mick Jagger! Cool!" As Stones-related projects go, this beats Jamming With Edward, most of Keith Richards' albums, and maybe even Monkey Grip! Bottom line: this sounds like one big party, and the last time Jagger was involved in that sort of thing, it was called "Sing This All Together (See What Happens)" and drugs were being glorified! Sadly missing: Carly Simon! I want to play this right now!
Miracle Worker - SuperHeavy

The Jayhawks: Mockingbird Time (Rounder)  In my spare time, I often make delicate decisions about what does and what does not constitute actual "country music"--it sort of comes with the gig here--and I have to say that, upon listening to this album today, Mockingbird Time is absolutely not country music! What it is, however, is one of the year's better albums--the long-lived group's first with this line-up since 1995's Tomorrow The Green Grass--and the sort of thing that, had it been released on a small indie label in 1974 or so, would have cemented the Jayhawks' reputation as one of the finest bands going: great songs, well-played, well-sung, and crossing nearly every genre imaginable. Unlike most of my rock crit pals, most of whom are much shorter than I am, I have been long bored by that whole Son Volt/Wilco thingie and find this album, years after the fact, immensely more appealing! Perhaps it's time we rewrite rock history, get a few cups of coffee, and discuss that whole Nirvana thing! I mean, can you believe that guy's hair?
She Walks In So Many Ways - The Jayhawks
 
S.C.U.M.: Again Into Eyes (Mute)  A part of me wonders about the overall worth of seeing the acronym S.C.U.M. and instantly thinking "Society For Cutting Up Men"--like, shouldn't I have been reading The Brothers Karamazov that week? I mean, heck--my own kid has, and I've never touched it--but who cares? This great debut, apparently the product of some sibling of hip Brit band the Horrors, is subtle, sophisticated, mature-sounding and completely into showing the bare back of some English babe, and I think we're all of us--each and every one--in agreement that that's a good idea! Immensely more listenable than the new Gavin DeGraw album and--between you and me--boasting a much hotter cover! Bingo!
 
Jim Capaldi: Dear Mr. Fantasy: The Jim Capaldi Story (Interscope)  If I told you that a month ago I spent a complete week listening to the full solo discography of former Traffic drummer Jim Capaldi--and that the late musician's works have been lovingly compiled here in this unexpectedly rich boxed set--would you even believe me? But Capaldi, always overshadowed as a vocalist by his vastly talented bandmate Steve Winwood, had a highly credible career as a singer prior to Traffic's late ‘60s formation, and since his first solo album, 1972's Oh How We Danced, produced a consistent string of excellent solo works that this 4-CD set artfully contextualizes. Though he received his fair share of accolades for his work in Traffic, the music on display here deserves similar critical reappraisal.  Good stuff indeed!
Dear Mr. Fantasy - Traffic

Leslie West: Unusual Suspects (Provogue)  Though he was in the news earlier this year due to some serious health problems, "problems" are about the last thing that may be on your mind after hearing this return to form by guitarist Leslie West--once of highly-lauded Mountain--whose musical skills have not been diminished one iota. Featuring an impressive cast of guest musicians, including Billy Gibbons, Slash, Steve Lukather, Zakk Wylde and Joe Bonamassa, Unusual Suspects is a well-played collection of originals, covers, and heartfelt, expressive rock ‘n roll. Let's all be grateful he's still around making it!
Mud Flap Momma - Leslie West (feat. Slash)

 
Demi Lovato: Unbroken (Hollywood) Word is that zesty young singer Lovato dubbed her new album Unbroken after spending a harrowing night determining her name was an anagram for Avoid Motel, Violate Mod, Load Motive, Metal Ovoid, A Devil Moot, and Avoid Me Lot! Hey, that happened to me once!
All Night Long - Demi Lovato (feat. Missy Elliott and Timbaland)
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'The Sing-Off' Is Back - Now With Extra Cheese!


Following the surprise success of "The Voice" this year, NBC decided to expand its other vocal competition, the voices-only "Sing-Off" (which used to be just a two-week lark, a bit of fluffy Christmastime filler squeezed in between "Rudolph" and "Frosty" specials), into a full-fledged, fall-season series this year. And NBC really upped the ante, opening up the competition to a whopping 16 a cappella groups, hyping the show almost as much as it has the inescapable "Whitney," and adding a new judge, sweet songstress Sara Bareilles. (I was very happy to see Sara replace flaky former judge Nicole Scherzinger, who recently departed to go ruin "The X Factor," but host Nick Lachey may have been exaggerating just a little when he ravingly called Sara "one of the biggest recording artists in the business." Calm down, Nick.) "I feel like in the first two seasons we introduced a cappella music to America, and they loved it, and now we see people coming out of the woodwork and pushing it into the future," super-awesome returning judge Ben Folds declared with a similar amount of hyperbole at the start of Monday night's Season 3 "Sing-Off" premiere.

But in the end, despite its rather cool judges, it was still the same old cheesy "Sing-Off," complete with matchy-matchy Century 21 blazers, Huxtable sweaters, Gleeks galore, and Nick Lachey. Seriously, this episode was so cheesy, it should've been shot in Wisconsin. In a Cheeto's factory. Not that that was an entirely bad thing, mind you. "The Sing-Off" has always had its own untouched-by-time, Lawrence Welkian charm, and I don't really know if a hyper-modernized, "hipper" version of this hokey little talent show would work, or if I'd even want NBC to try. It's probably best to leave the edginess to "The Voice," and let "The Sing-Off" Season 3 launch with an Up With People singalong of Pink's "F***in' Perfect" with the F-word conveniently, G-ratedly excised for the whole family to enjoy.


As for the biggest update to the show, Sara did a fine job her first time out, seeming utterly delighted (if slightly flustered) to be there and always coming across as approachable and adorable--instead of relying on desperately flirty one-liners and come-hither stares to hold the audience's attention, like her predecessor Scherzinger did. (When Sara did occasionally offer a critique that inadvertently seemed like a double-entendre, like when she told one all-male group they were a "super-tight package," she in fact blushed like a schoolgirl. Cute!) But just like the last two seasons, the real reason to watch "The Sing-Off" was Ben Folds--one of the finest judges working in reality TV today or, come to think of it, EVER. While he's never trafficked in the cutthroat criticism and snotty snark that has made other reality judges like Simon Cowell so popular, gentle Ben has always told it like it is in his own warm and humorous manner, and this season's "Sing-Off" premiere was no exception. On Monday evening, Ben made oddball references to Irish pub brawlers, toothless forest loggers, and washing machines, yet he still managed to give America a Music 101 lesson about chromatics and modulation and such. Ben is just the best.
But which a cappella group is the best in America? Of that, I am not so sure. On this week's premiere episode, eight of the 16 teams vying for that title gave it a go, and while the judges (Ben, Sara, and Boyz II Men's Shawn Stockman) seemed impressed by all of the groups, I was a bit disappointed. Yes, there were plenty of stellar singers in the bunch, but where was the quirky creativity of my favorites from past seasons, the Whiffenpoofs and Beelzebubs? Considering all the hype this year, I was hoping for something more--those "groups from the future" that Ben bragged about. Oh well. Maybe there will be more unique options next week. Until then, here's what Season 3 has to work with...
The Yellowjackets - The Yellowjackets, founded in 1956 at the University of Rochester, are obviously one of the token old-school, dyed-in-the-rugby-wool college teams of the season, from their traditional vocal arrangements to, well, their traditional yellow jackets. Really, the only thing that made these guys seem remotely interesting or cool was their pre-performance footage of them visiting poor children in Kenya. Inspired by that experience, the YJs performed the World Cup anthem "Wavin' Flag" by K'naan, but I wasn't quite waving my own flag for them. The boys had tons of good energy and team spirit (when they whipped out red and green pennants for the final chorus, that was a nice touch), but their sluggish vocal arrangements and old-fashioned image bogged down their performance. However, the judges loved the 'Jackets. Shawn called them "ridiculous," and he meant that in a good way. "That was powerful! I felt that you believed the music and what you sang," Shawn said. Ben said, "It was a group effort, and the choir part of it really made you feel the chorus"--although he did gripe a little about the group's confusingly fluctuating tempos. And Sara mused, "I look at your faces, and it's really emotional. I see a brotherhood here." But she too cited some imperfections, saying she would have liked "more intricate counterpoints in the arrangements." I agree: Even by the conservative standards of a show like "The Sing-Off," the Yellowjackets were a bit too staid for me.

Fannin Family - Okay, then the Fannin Family came along, and suddenly the Yellowjackets seemed like the Ramones. The Fannins actually might be the dorkiest of all the dorky groups to ever grace the "Sing-Off" stage. Basically, imagine if the Duggars formed a singing group, and that those Duggars lived in Hortonville, Wisconsin (a town which may in fact be home to at least one cheese factory). I think there were about eight Fannins, they all looked alike and definitely sounded alike, and they all drove around in a "FanVan" that was not nearly as nifty as the Partridge Family bus. Fourteen-year-old Maria, the youngest Fannin and the lead singer of the group, was actually really impressive, with a nice smoky tone during her performance of Selena Gomez's "Who Says," but her brothers and sisters were not up to her standard. All three judges raved about Maria's vocals, but Ben complained that the lack of multiple gene pools to cull from had caused these modern-day Von Trapps' overall sound to get muddy, and that brother Chris was singing out of his range. ("You can't help it if your parents didn't sprout a bass," Ben amusingly pointed out.) Shawn said they had "harmony quirks here and there," which was his nice way of saying they were pitchy. Sara was the most positive, saying that the group had "something very wholesome and innocent, and that's refreshing." Maybe so, but I was not a huge Fannin fan. Maria really should consider dumping her siblings and going solo.

Afro-Blue - This was the first group to really grab my attention, and one of my favorites of the night. The jazz-influenced Howard University students brought the funk to "The Sing-Off," as their cover of Corinne Bailey Rae's "Put Your Records On" had a cool, scatty vibe to it--just the right balance of modern and traditional that the show needs this all-important season. Self-described "music nerd" Ben loved this groovy group, praising them for "making jazzy stuff sound accessible instead of freaking people out." Sara told them, "You guys show a lot of promise for a lot of versatility. I can't wait to see what you do next!" Shawn rattled off a list of buzzwords from his notes--"class, style, slick, smooth, effortless, fun"--and told lead vocalist Christie, "Your voice feels like warm butter on grits." Time to kiss the grits, people, because Afro-Blue's sound is pretty yummy.

Delilah - This was another group with serious potential...and the "Sing-Off" pedigree to impress longtime viewers. Consisting mostly of veterans from past "Sing-Off" groups--including Noteworthy, Voices Of Lee, Eleventh Hour, and last year's totally robbed and awesomely named Pitchslapped--this all-girl group certainly looked like pop stars (their hotpants and miniskirts added a little bit of needed glamour and sex appeal to this otherwise tame show). But as supportive Sara, who gave them a standing ovation, pointed out: "You're more than just a bunch of beautiful women choosing to sing together. You guys are just the kickass a cappella group!" Delilah's cover of Bruno Mars's "Grenade" was explosive (no pun intended), especially when titanic-lung'd leader Amy sang a solo. "Amy, what boyfriend did you channel to sing that? I believe that cut through my darn heart. It was strong, and it was sexy," Shawn raved. And Ben worded it best, as he almost always does, when he told them: "There's no novelty to this. An all-female group, or one person, or a bunch of toothless loggers can all pull music off, if you put your head to it." These girls sure are easier on the eyes than toothless loggers, and that probably will only help their cause, but thankfully, their voices are just as pretty. And I think together they'll be stronger than they were in their past respective "Sing-Off" groups.

Urban Method - All right, here's when a bit of novelty came into play. This Denver group made a big to-do about the fact that they are the first "Sing-Off" contenders to have a rapper in their mix, claiming to be "edgy" and "on the street" and christening their hybrid sound "rap-a-pella." But I think the rapping kind of hurt them, simply because they chose to cover a RAP SONG. If they'd sung, say, an Adele or Kings Of Leon tune and then added some freestyling to it, that would have been cool. But by doing Eminem and Rihanna's "Love The Way You Lie," not a very outside-the-box song choice, they came across as just some copycat act. (Marshall Mathers is tough to top, you know.) Shawn loved what Urban Method had to offer, saying their sound reminded him of his childhood days of rapping on Philly's streets, and declaring, "I'm glad that someone was actually smart enough to do it on 'The Sing-Off'; I consider it cool!" Sara was impressed by their star quality and theatrical tendencies. Ben liked the fact that the group was put together by a recording studio owner, explaining: "The producer aspect is really important; sometimes a great band comes along that really is informed by the studio." But I want to see more inspired and creative song interpretations, not just rap remakes, from these guys before I make up my mind about them.

Cat's Pajamas - These fellas dubbed themselves the "hippest of the hip, the coolest of the cool." Um, no. Untrue. But these former cruise-ship crooners were certainly the most professional of the bunch: Currently taking up residence in Branson, Missouri, the family-friendly entertainment capital of the country, these sharp-suited showboaters currently play 200 concerts a year for America's tourists. Their showbiz experience showed--they had oodles of confidence, their voices blended seamlessly, and they looked like they'd spent a good chunk of their Branson earnings on their shiny suits. But there was something soulless and not all that wonderful about their "Some Kind Of Wonderful" performance. Ben advised them, "The next step is to take risks and be more vulnerable--the artsy part. There is an art covering other people's songs. How powerful would it be if you put part of yourself in the song?" Ben's fellow judges seemed similarly unmoved. Said Shawn: "You guys are definitely entertainers...but again, how does it translate to the listener?" And Sara said, "I want to see versatility here. I want to see what you guys look like in jeans and T-shirts--and I don’t mean that in a weird way. You're just so slick!" These cats were definitely on the "Sing-Off" fence.

Kinfolk 9 - These ragtag, rough-around-the-edges chancers provided a direct contrast to the very polished and professional Cat's Pajamas. A collective of struggling L.A. artists trying out a cappella for the first time, they possessed everything the previous group did not--heart, soul, passion, pathos--but none of the gloss. Their performance of OneRepublic's "Secrets" was a little off and far from perfect, but hey, at least it was interesting. And lead vocalist Moi, with his vaguely emo/rocker look, was about as cool as this episode got. "I can see this is very emotional for you guys. I get the sense there is a lot riding on this for you," Sara sympathized. Ben thought the gang needed a little time to get it together technically, but said they showed a lot of raw promise. And Shawn astutely observed, "I can sense the hunger, I can sense the desire, and sometimes you can overshoot. But isn't it amazing that struggle tends to bring out the best in who you are? You can always fix the technical stuff, but you must reserve the feeling and keep that feeling alive." I actually think Kinfolk 9 could be this season's dark horse, if they're given time to grow.

Vocal Point - Another rah-rah college team, these scrubbed-clean Bringham Young University kids aimed to have "the most fun that nine clean-cut Mormon guys can have onstage." Some of their fun was unfortunately spoiled when one of their team members, their baritone, had to miss this first episode to fly home to visit his terminally ill father--but that just gave them a readymade sob story and had the whole audience rooting for them from note one. Their performance of the swing standard "Jump, Jive, An' Wail" was hokey as heck, but definitely good Mormon fun, and they proved they could perform well under adversity. They received a standing ovation--"earned by the high note at the end," noted Ben, who also loved the group's "wicked" basslines. Sara and Shawn were equally enthusiastic, with Sara gushing about "that classic, collegiate doo-wop a cappella that I really love," and Shawn telling them, "You did your thing, you held it down, and you kept us entertained!" It will be interesting to see how Vocal Point fare once their full lineup is back intact.

In the end, the judges had to cut two teams, and I think they totally made the right choice by sending home weakest links the Fannin Family and Cat's Pajamas. (Good first decision, Sara!) The Fannins just had no zip or zing (their lame swan-song choice, "Tomorrow" from the musical Annie, was additional proof of that), and the cookie-cutter Cat's guys will be better off just staying in Branson, to be honest.
So far, my eyes and ears are on Afro-Blue, Delilah, and Kinfolk 9, all of whom have something very unique to offer. But next week we'll get to see the other eight teams, including one that claims to have some sort of electronic/techno shtick (I'm kinda-sorta fantasizing that they'll wear Daft Punk robot helmets to match their blazers). Hopefully that is when things will get really interesting. But as long as Ben Folds is on, I'll be heartily digging into this guilty-pleasure cheese.
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Here's The Beef: Lady Gaga's Meat-Dress Designer Debuts Meat Shirt


Now you too can own a piece of Lady Gaga's controversial VMAs meat dress--sorta. Designer Franc Fernandez, the vision behind Gaga's daring choice-cut couture, has released a limited-edition meat shirt for Little Monsters and extreme fashion fans to enjoy. But don't worry, Morrissey: The shirt is just a fabric print of bloody marbled prime, not fashioned from real butcher scraps like Gaga's infamous dress that was lauded, criticized, and debated the world over.
This gives a new meaning to the term "Beefy T,"  huh?
The meat shirts will be available for purchase at Nicola Formichetti's outrageously reflective pop-up shop in New York while supplies last. At the store, Formachetti--Thierry Mugler creative director and Gaga's celebrated stylist--displays the wardrobe from Gaga's "Paparazzi" performance at the 2010 VMAs and archival vintage Versace pieces that she got free range with, and sells everything from spacey Mugler platforms, deadly studded vests, and to-die-for panda-skull rings.
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'X Factor' Premiere Recap: Go Big or Go Home

http://a323.yahoofs.com/ymg/realityrocks__31/realityrocks-477737972-1316657995_thumb.jpg?ymM9CsFDI_urpBPQEveryone knows Simon Cowell has one of the most massive egos in show business. Obviously it'd take some serious self-confidence to quit a hugely successful TV show like "American Idol" (and a $36 million "Idol" paycheck to boot) to launch a new show like "The X Factor." Perhaps you've heard of it? Of course you have. No new show of the fall season, other than maybe "Whitney," has been as megahyped and throat-crammed as Simon's new talent competition, so as "The X Factor" at long last premiered Wednesday night, no expense was spared and no hyperbole was avoided. From the repeat mentions of the "largest prize in TV history" (a $5 million Sony contract); the fleets of "X"-branded Mack trucks; the slo-mo scenes of Simon cruising in a pointy black sports car with "X Factor" vanity plates; the Michael Bay-worthy aerial shots of the "sea of humanity" at the audition sites; the dramatic soundtrack swells underlying every emotional apex; and the live auditions held inside arenas packed to the rafters with shrieking fans, it was clear: Simon was determined to make a typical "American Idol" episode look like a dusty old Beta/VHS tape of "Star Search."
And you know what? SPOILER ALERT: He pretty much succeeded. But interestingly, the show worked because, in the end, he didn't make "The X Factor" all about him. Instead, after introducing the judges--his old BFF Paula Abdul, his new TV nemesis L.A. Reid, since-ousted judge Cheryl Cole (whose Los Angeles footage surprisingly didn't end up on the cutting-room floor, and who did a fabulous job), and Cheryl's replacement Nicole Scherzinger (who took over halfway through the episode)--Simon got right down to business and started trotting out the Los Angeles and Seattle contestants. And those contestants went on to hog the majority of the screen time.
Perhaps to prove Simon's point that "The X Factor" can find a megastar worthy of a cool 5 million, the series' kickoff episode was light on trainwreck contestants, focusing more on the serious singers. And even the handful of bad auditioners were entertaining, and they were let down relatively easily. Sure, Simon had his share of zingers, like when he told the blue-haired emo screamer from a rejected duo called You Only Live Once that she sounded like she was "swallowing poison" (I guess you only audition once, too). But for the most part, he let the music do the talking. Hey, maybe Simon's ego isn't so big after all. (Yeah, right...)
Anyway, now, after all those months of hype, here are the standout contestants of "The X Factor's" big premiere. Do any of them really have the X factor? You decide.
THE GOOD:

 
Stacy Francis - Stacy received some serious screen time in an eight-minute promo that ran on Fox last week, but the 42-year-old single mother's full audition this week made an even bigger impact. As she shared her sob story of emotional abuse, missed chances, and deferred dreams (her ex-husband had told her repeatedly that she'd never make it), and she told Simon, "I don't want to die with this music in me," everyone in America, myself included, was rooting for her, hoping her ex hadn't been right all along. And then, when she belted out Aretha Franklin's "Natural Woman," it quickly became clear that her ex had had absolutely no idea what he was talking about. She was a little rough around the edges and didn't quite nail the song's big money-note the way "Idol's" Kelly Clarkson once did, but her natural talent during her big, belty performance was evident and had the audience in tears. Even L.A. and Simon seemed moved, with the former saying, "Everything that I do musically is about having my spirit stirred and the hairs on my arms raised; you did both," and Simon saying, "I've been doing this a long, long time, and that was one of the best auditions I have ever heard in my life." Crying hardest, of course, was Stacy herself, who let years of pent-up pain pour down her mascara-smeared face as she basked in the audience's adoration.
 
Siameze Floyd - He is Siameze, if you please. And this flashy fellow certainly was a crowd-pleaser. The androgynous showboater with a blown-out Rihanna bob and funky James Brown kick-splits gave an utterly bizarre performance of Rick James's carnal hit "Give It To Me Baby" that at times bordered on being a circa-Dirty Mind Prince impersonation, while his shrill shrieking made the Darkness's Justin Hawkins sound like that dude from the Crash Test Dummies. But Siameze was fascinating, and 100 committed, and fearless--so in terms of sheer showmanship, he was the champion of the night. Cheryl couldn't decide if he was "genius or weird." Simon called him "talented but deluded." Paula found him unoriginal, but still seemed charmed. And so, against lone dissenter L.A. Reid's wishes, Siameze advanced to the bootcamp round. If he ends up winning the $5 million grand prize, maybe he can use some of that money to fund his other dream: manufacturing and marketing his own "Siamenergy" drink. I'll drink to that!
 
Simone Battle - With her bootylicious fierceness and red satin American Apparel booty shorts, this 21-year-old baby diva impressed Simon with her sex-kittenish style (intriguingly self-described as a mix between "a cheerleader, a hipster, and a drag queen") and feisty rendition of the Pussycat Dolls' fame-fantasy anthem "When I Grow Up." Perpetual contrarian L.A. Reid was inexplicably unenthusiastic, even after Simone did a second a cappella audition of La Roux's "Bulletproof" that better showcased her solid vocal chops. But Simon loved Simone's fearlessness and foxiness, and he went to battle for Miss Battle. Luckily, this is one L.A./Simon battle in which Simon prevailed, because I think Simone totally has the X factor.
 
Rachel Crowe - A ringlet-topped moppet with an irrepressibly sassy personality and the outsized confidence of a diva twice her age, this bubbly tween also had a semi-sob story, albeit one not nearly as sobby as Stacy's: The six-member Crowe clan "has like, no money" and lives in a two-bedroom house, and she needs the show's $5 million prize to purchase a roomier family home. "I'm a girl, I need my own bathroom!" she exclaimed. The excitable tot would've been downright annoying if it weren't for the fact that her rendition of Duffy's "Mercy" was, mercifully, pretty good. The girl certainly has potential. "You have everything that every artist I've ever signed has," raved L.A. And Simon told her, "Get ready for a new bathroom!"
 
Marcus Canty - This handsome 20-year-old soulman, who was told by his mom he had two years after high school to pursue music and is now almost out of time, currently mows lawns for a living. But he may soon be mowing down the competition. Marcus delivered an infectiously groovy performance of Stevie Wonder's "I Wish," during which he worked the crowd like an old pro and even had Nicole and Paula up out of their seats and dancing. The overall audience response was so overwhelming, Marcus had to take a seat on the stage just to soak it all in. L.A. likened him to a prime-era Bobby Brown, while Simon compared him to the almighty Usher. Marcus just may be just the type of current, marketable, dancing-wonder R&B sensation that, for whatever reason, "American Idol" has never been able to find.
 
The Anser - The first (and only) boy band of the evening to get through, these Salt Lake City cuties immediately got on Nicole's good side by serenading her with "Happy Birthday" (it was her birthday, you see, and she wasn't exactly modest about it). But they didn't impress the other three judges until they sang Adele's "Rolling In The Deep." I wasn't too thrilled by their song choice--no one can sing that song as well as Adele, too many talent show contestants sing it, period, and I'd honestly like it to be banned from all reality shows. But their mashup of the song with Britney Spears's "Till The World Ends" was a creative touch, and they had the vocal skills to pull it off. Plus, they looked like stars. "Girls are probably gonna like him," Nicole said of the middle boy, the one with the best voice (sadly ignoring the bespectacled one on the left who'd actually initiated her birthday singalong), adding, "You are three words: Fab U Lous." Said L.A.: "You were prepared, you got the swagger, it felt good down here, and I know it felt good up there!" Paula told them, "You get that this is a $5 million prize. It's an honor to have you." And Simon, who currently is enjoying huge success in Britain with his "X Factor U.K." boy band signing, One Direction, kept his critique short and sweet: His answer for the Anser was yes.
 
Chris Rene - Clean and sober for only 70 days at the time of his audition, this 28-year-old Santa Cruzer, recovering drug addict, and father of a toddler took a risk by singing an original hip-hop number, "Young Homey," about his troubled past. But the risk paid off. The man had swagger for days, and the song was FANTASTIC; L.A. was getting' down to this hot track. "I've worked with some of the greatest hip-hop artists, and all of my boys would be proud of me telling you that you are the truth," raved L.A. Nicole gushed, "Honey, I'm trippin' on you!" Paula said, "You are a bright light. You lit us all up. You are so talented!" And Simon said he felt like was "meeting a star for first time," and told Chris, "Maybe you need the show, or maybe we need you." L.A. made Chris promise to stay on the right track if the show put him through, and Chris gave his word. Frankly, I'm a little worried for Chris; 70 days of sobriety is not very long, and the stress of competing on live TV might be a bit much for this guy. But I'm rooting for him, and I bet a lot of America will be too.
THE SO-BAD-THEY'RE-GOOD:
 
Dan & Venita - They may've sung like cats in season and looked like Vegas lounge lizards, but I still want to be Dan and Venita when I grow up. This couple is really living. Newlyweds at the respective ages of 70 and 83 (Go Venita! Way to snag a younger man!), these two dream of using their $5 million prize money to go on a coast-to-coast motorhome tour of the country's "most beautiful senior citizen centers." Sadly, that dream probably won't ever be realized, since their duet of one of Simon's old standbys, "Unchained Melody," was bad enough to short-circuit their hearing aids. But their performance had a lot of heart, and everyone in the audience could feel the love--so it was impossible not to crack a smile during their semi-senile serenade. Even Simon went soft, musing, "I hope he treats her well." And Dan and Venita actually inspired Simon's best one-liner of the night, when he quipped, "You know what's terrifying? I can imagine me and Paula being you in 10 years' time!"
 
Gio Godley - This 43-year-old, pants-dropping weirdo, who claimed to be classically trained on piano, actually full-frontal flashed the audience while warbling his original "I'm A Stud," perhaps the most misleadingly titled song EVER--"traumatizing" Nicole in the process and prompting a nauseated Paula to flee into the hallway, suffering from dry heaves. "What the bloody hell was that?" barked Simon. But L.A. was even tougher, ordering Gio off the premises with: "That was offensive, disgusting, distasteful, upsetting. Get him out of the building!" And so Gio left with his tail between his legs and his pants around his ankles, seeming utterly puzzled that Simon and L.A. didn't think "I'm A Stud" was a surefire smash hit.
 
Niki Collins - It's true that when it comes to a competition like this, confidence is half the battle. Niki had that...but she lost the other half of the battle because she sang horrifically enough to make even Dan and Venita blanch. She rendered Mariah Carey's "Emotions" so unrecognizable, even L.A. Reid, a man instrumental in actually signing Mariah, probably didn't know what song it was. And none of the emotions the judges were feeling were very positive. Thankfully, Niki cut her own audition short ("I'm done," she shrugged), before Simon got around to it, but she still didn't seem to believe him when he told her she had a "horrible voice," nor did she 'fess up when Paula asked her if she'd auditioned on a dare. Instead, she chased the judges down in the stage wings after the show and threatened to post YouTube clips of her singing as soon as she got home. So step away from your computers, everyone! Niki's YouTube clips could cause server meltdown. You have been warned.
 
Darren Michaels - This 40-year-old, mullet-headed struggling musician claimed, with a devilish laugh and twinkling eye, that his poor girlfriend has so far sunk $100,000 into his career. Hey, if she's that deluded, she ought to consider investing in Niki Collins, too. Sigh. What some women will do for love, huh? And if Darren's lady was hoping to be reimbursed when Darren won this show's $5 million, she better move on to a plan B, hopefully one that does not involve dating Darren, or at least doesn't involve Darren coming anywhere near a microphone. His whiny countrybilly rendition of "Like A Virgin," which Simon called "some sort of nightmare," was enough to make his girlfriend wish she'd never been touched for the very first time by this dude.
So there you have it. It looks like Simon Cowell has done it again. It remains to be seen if "The X Factor" can overtake "The Voice," "America's Got Talent," "The Sing-Off," or of course "American Idol," but judging from Wednesday's big, BIG premiere, this show is going to be huge. Simon wouldn't have it any other way.
[photos courtesy of Fox]
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Coldplay drummer wanted Rihanna's vocal

http://www.independent.co.uk/multimedia/dynamic/00649/Untitled-10_649571t.jpgColdplay drummer Will Champion wanted to sing Rihanna's part on one of the group's new tracks.
The 'Fix You' rockers teamed up with the 'S&M' singer for 'Princess of China' - which is on their forthcoming album 'Mylo Xyloto' - but frontman Chris Martin admits she had competition from Will.
He said: "There's a bit of a love story thread so we really needed someone to sing higher than me. For all Will's good intentions, he can't do it. You need to be female."
Chris also revealed the group's fifth studio album is "dangerously close" to being a musical.
He told The Sun newspaper: "Our new record is sort of a story through its 14 tracks - it's not quite a musical, but it's dangerously close."
The album was recorded in London and Chris has previously said the input of guitarist Jonny Buckland has been particularly prevalent.
Referring to one of the tracks on the album, he said: "'Hurts Like Heaven' is all Jonny. It only has two chords. The songs are group-y, its guitar-y. Johnny is coming out of his cocoon. We're just trying some risky things."
Source: Bang Showbiz
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'The X Factor's' Nicole Scherzinger on First Day as Judge: 'I Can Barf or Say Rock-N-Roll' (Q&A)

The Pussycat Dolls singer also talks about having Simon Cowell as a boss, her ill-fated first solo album and Cheryl Cole's exit.

Nicole Scherzinger is uniquely qualified to judge The X Factor. Like Cheryl Cole before her, who sat in the very same seat, Scherzinger started out competing on -- and winning -- a talent show, the short-lived Popstars on The WB (curiously, Cole won the British version of the show a year later). The experience helped launch a music career that eventually took her from the group Eden’s Crush to Pussycat Dolls and now, a decade later, she’ll finally see a lifelong dream come true when her solo album Killer Love is released in November.
PHOTOS: Behind the Scenes: THR's 'X Factor' Cover Shoot
http://www.hollywoodreporter.com/sites/default/files/2011/09/nicole-scherzinger-publicity-a-p.jpgIndeed, for the girl who declared, “When I grow up, I want to be famous “ and “have groupies,” it’s been one whirlwind year. Scherzinger was originally hired to co-host X Factor with Steve Jones. But barely two audition cities into filming, Cole made a hasty exit, covered in detail on these pages, and Scherzinger stepped in for what seems to have been a relatively smooth transition (Cole is still shown on the first episode). We’ll see soon enough -- the show premieres on Wednesday.
PHOTOS: An 'American Idol' to 'X Factor' Timeline
So what can TV viewers expect of the sweet-talking tomcat, as X Factor creator Simon Cowell likes to describe the 33-year-old Scherzinger? The Hawaii native reveals more of herself in this Q&A with The Hollywood Reporter.
The Hollywood Reporter: Since you’re the new kid at the table, does Simon judge your performance like he judges the contestants?
Nicole Scherzinger: He sure does. He judges everything. That’s why he’s the ultimate judge. He created the role.
THR's Complete X Factor Coverage
THR: What kind of things has he said to you?
Scherzinger: He’s always encouraging in a scary, threatening way. Like, “I might not have a job tomorrow, so I have to bring it.” It’s upsetting but I get through it. (Laughs)… He’s actually a lot nicer than I thought. He’s very giving and empowering.
THR: And with the auditioners, how would you describe his judging style these days?
Scherzinger: When he watches a performance, I don’t know what conjures up in that mind of his, but he just spits it out and it’s random. I guess that’s why I like him -- because I’m pretty random and out there as well. But he’s almost too decisive sometimes.
PHOTOS: The Hollywood Reporter Cover Stories
THR: Something clearly clicked when you were on UK X Factor, what do you think it was?
Scherzinger: We had great chemistry, both Simon, me and Louie. It’s funny because I would start talking about colors, shapes and feelings and Simon was, like, “You’re like a little Paula.” I thought, “I’m going to take that as a compliment.”
THR: You were originally hired to co-host the show, but when Cheryl Cole left, took her seat at the judges’ table. Were you gunning for that gig from the beginning?
Scherzinger: Yeah. Because I had gotten the experience in the UK, I knew it was going to be a phenomenon. It was a big feeling. I really enjoyed myself and loved Simon so much that I accepted the hosting job that they offered me, even though I had never been a host before. I figured it would be something cool -- like an artist ambassador where I’d really get to know the contestants. I wanted to mentor so I was elated and honored when they offered my the judge position because as an artist, I felt like I really had a voice and could pay it forward and give back with the experience I’ve had.
THR: What was it like for you emotionally during the first day of shooting as a judge?
Scherzinger: I just wanted to be a part of the team and whatever I had to do, I was going to make sure I went up to bat. The first day, they had, like, 80 executives from there all wondering if they were going to keep me. I was like, “No way, I’ve worked my whole life for this. I’m going to go off my instinct and my soul and I’m going to enjoy it." I remember thinking, "I can either barf in my mouth right now because of nerves or I can say rock-n-roll."
THR: If Simon is boss, Paula is the kinder and gentler one and LA Reid is the harsh executive, how do you see your role?
Scherzinger: I’m like a kindred spirit to Paula. She was my idol growing up and a lot of what she says is the sheer truth. Our minds, hearts and spirits gravitate towards the same feedback, but we have different ways of expressing it. Sometimes, I’m goofy and sometimes I’m more emotional. I just try to be myself and speak from my personal experience.
THR: After the first X Factor promo aired, you got a lot of comparisons to Jennifer Lopez and how she carried herself on television. Did you watch her on American Idol this year?
Scherzinger:  A few times and she looked fabulous.
THR: You deliver the “You’re so sweet line,” which looks like it’s been lifted from the Idol season 10 handbook. Have you been pretty gentle?
Scherzinger: Simon encourages you to just be you, not to put on an act or anything. When I speak to the people, sometimes it’s gentle and sometimes it’s just honest. A lot of times during the show, I’ve said no and the other three said yes and I was surprised.
THR: What would call for a no?
Scherzinger: If I didn’t feel it in my gut. It’s a 5 million dollar recording contract, I’m looking for the real thing. When I did the UK X Factor, I kind of had a problem with never saying no to anyone. Simon was like, “Look, this isn’t really working out. You need to say no sometimes.” Now it’s important because it’s my job. I have a responsibility to put the best people through, not the mediocre and not the nonsense. I don’t have any patience for people who don’t work for it.
THR: Speaking of working for it, you spent the better part of two years recording a solo album, Her Name is Nicole, which was never released in the U.S. What happened?
Scherzinger: It was my decision. I felt like the fans didn’t want it out yet. I think they wanted another Pussycat Dolls album and I couldn’t force it. I put a lot of the songs, like “When I Grow Up,” on the Pussycat Dolls album and we went back on tour. I carried it over to this album. But I’m not going to lie, I’m kind of disappointed it didn’t come out… I must have recorded 300 songs. I kind of went insane there for a while. I was a studio rat. But I had to walk away from it When you put so much work, time and heart and soul and it’s not always the radio hit, it’s a disappointment. The work will speak for itself and everything in the right time.
THR: You’ve had so much experience being in a girl group, is it safe to assume you want to work with the girls once the contestants are split on X Factor?
Scherzinger: I want the girls. Being a female in this industry, that’s where I’m going to be of most service. But I’m also so impressed with the “Overs” [those 30 and up]. At the end of the day, whatever happens, it’s meant to be.
THR: The Voice was super successful. Idol is still going strong. Are you surprised that these shows are so enduring?
Scherzinger: Absolutely not. I’m a singer first, so I love people singing singers’ songs. I was really happy for The Voice, being a big Cee-Lo fan and friend. These are four artists people can learn from. I love that American Idol is so successful because that means America still has an appetite for these talent shows.
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Argo tornado victim finally finding reasons to smile

TORNADO VICTIM ANNIE MUSE

Enlarge Annie Muse visits the grave of her sister Lucille Waters who was killed on April 27th by the tornado that destroyed many of the Muse family homes near Argo in Walker County. Tornado victim Annie Muse of the Argo Community in Walker County copes with the rebuilding of her home and the loss of sister to the tornado. Annie's days are busy. On September 2nd 2011, Annie met a crew from Mazer's in Birmingham to deliver a clothes dryer to her rented Jasper home, went over a bid for new garage doors for her Argo home being rebuilt and kept her daughters dog , a 4 year old chihuahua named "Ginger" company while her daughter was out. Ginger has been home for less than two weeks after spending almost four months at the vet recuperating from her injuries. (The Birmingham News/Joe Songer). April 27 tornado victim Annie Muse gallery
ARGO, Alabama -- Though still facing a long recovery from an April 27 tornado, Annie Muse is beginning to find reasons to smile, such as the return of her 6-pound Chihuahua, Ginger, who squirmed, barked and wagged on one recent day at Muse's under-repair home.
When a tornado tore through the cluster of family homes just off U.S. 78 in Walker County, Muse's sister and nephew were killed; Muse's daughter and grandson were critically injured; four homes were destroyed; and several others, including Muse's, were severely damaged.
Ginger had been in one of the homes that was destroyed and was missing for three days, until found trapped in a pile of debris.
Transported to Animal General Hospital in Jasper, Ginger came under the care of veterinarian Robin Roberts. Having suffered severe trauma to the back and pelvis, Ginger was not herself when she arrived at the unfamiliar animal clinic: "She was the meanest little dog you've ever seen when she came in," Roberts recalled.
But before long, the brown, white and black dog turned affectionate, having figured out the strangers were there to care for her. Roberts said her treatment generally consisted of keeping the inflammation down and keeping the dog still. Considering the circumstances, Roberts didn't charge Muse despite having Ginger under his care for four months.
"Any time we can help somebody like that, that is what you need to do," he said. "Ginger has got a lot of fight in her. And that family has got a whole lot of fight in them, too."
And they've needed it.
Ginger's original owner was Muse's granddaughter Angel Turner. Turner and another of Muse's granddaughters, Catherine Anne Muse, were both 18 when they died in January 2010 in a fire at a Days Inn in Hoover. That came just months after Muse lost her husband of 56 years.
Then came the tornado.
For Muse, now 76, the aftermath of that disaster meant a funeral for her sister, Lucille Waters, who was 88.
It also meant more than a month of managing the care of her daughter, Alondan Turner, 52, at UAB hospital and her grandson, Alvilonte Turner, 14, at Children's Hospital. Alondan was a widow, leaving Muse responsible for both, as they made slow process back to consciousness, through surgeries and into rehabilitation.
It meant Muse lived out of Jasper-area hotels and dealt with a mountain of paperwork: insurance claims on her daughter's home, her sister's estate and her own still-unfinished homeowner's claim.
By early summer, Muse had moved into a rental home in Jasper. The Turners both came home from the hospital in wheelchairs, but after a summer of rehab, both are now walking.
In August, Alvilonte returned to Dora High School. "He is coming along well," she said. "I've talked with his principals and teachers."
Alondan is making progress, too. "She is weaning away from seeing the doctors every week," Muse said.
Money worries

Reconstruction and repair on Muse's house are under way after a claims process that Muse believes has been too drawn-out and adversarial. And it's not over.
"I'm making progress, but to me, I'm making it slow," she said.
She said she is at odds with her insurance company over how much the home restoration should cost. Muse hired the contractor who originally built the home to make the repairs. The insurance company commissioned another bid on the work using a Birmingham contractor. The insurer's contractor came up with an estimate that was $28,000 less. Muse went ahead with her own contractor, and she and the insurance company continue to debate what different portions of the job should cost.
To paint the interior of the 2,800-square-foot, newly wallboarded house, for instance, the insurer's contractor estimated the job would cost $4,000. Muse's contractor figures it closer to $6,500.
"We are going to run out of money," she fretted.
Muse applied for disaster relief with the Federal Emergency Management Agency, but hasn't received any because her insurance claim has yet to be closed out. By law, FEMA can't pay for anything that is covered by insurance.
Almost five months after the storm, Muse finds it hard to believe she still doesn't have all the reimbursement money she believes she should get from the insurance company for the hotel rooms she paid for following the storm.
"I'm just hanging on. And I'm getting upset," she said.
But when Muse grows weary, she thinks again about her own survival and the progress her daughter and grandson have made. She is thankful.
"God has been merciful," she said.
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Beyonce Knowles is having “the most fun time” with her pregnancy.

image: Beyonce Beyonce
The ‘Love on Top’ singer publicly announced she and husband Jay-Z are expecting their first child together at the MTV Video Music Awards in August, and while she said it had been hard to conceal her baby bump, she is now “proud” to show it off to the world.
Speaking at the launch of her House of Dereon fashion line at London Fashion Week, Beyonce told CNN: “I am having so much fun, it has been the most fun time now that it has been announced.
“It was really difficult to conceal. But now I can be proud and excited about it, I'm having so much fun shopping - it's great!"
Although they were not designed as maternity wear, Beyonce, 30, is still wearing lines from her new range, and they are fitting her well.
She added: "What I'm wearing today is part of the collection; it's not supposed to be maternity wear, but it actually is really good for the maternity. We do have some things that I am still trying to rock!"
Musicrooms.net
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Senin, 19 September 2011

Westlife star Shane Filan sells Bond car

Westlife star Shane Filan fetched €398,000 for his James Bond 1964 Aston Martin, when it went under the hammer yesterday.
http://img.rasset.ie/000502ac-314.jpgThe silver DB5 4.2 litre sports saloon was driven by Sean Connery in the James Bond film Goldfinger and was auctioned off in the UK at the three-day Goodwood Revival motorsport and aviation event.
It was expected by auctioneers Bonhams that the car would fetch around €300,000, but it well exceeded expectations and was sold to a telephone bidder.
Sligo-born Filan, who is a car fanatic, bought the motor as a 30th birthday present to himself. However, he put it up for sale because he is always on tour and he won't get a chance to use it.
The car remains the most famous off all the James Bond Aston Martins, having appeared in five movies out of the series.
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Kasabian, Foster The People lead deep FIFA12 soundtrack

More and more in video games lately, the music that goes with the game is there to complete the experience, not just supplement it. With FIFA12 soon to be released, fans of the game will treated to a soundtrack that is as deep as the game itself.

Featuring 39 artists from 15 different countries, FIFA12's soundtrack is highlighted by English rock band Kasabian and American newcomers Foster The People. Steve Schnur, who is Worldwide Executive of Music at EA is thrilled with the bands this soundtrack has been able to include and the impact it has had over the years.

"We’re very proud of the bands we’ve introduced to gamers around the world," said Schnur on a conference call. "Some bands make their first impressions through our games, be it FIFA, Madden here domestically and so on. There are so many millions of people who play FIFA and really do look to it to discover their new favorite artists or bands."

Kasabian was featured in FIFA Football 2004 with one its first sings, "L.S.F. (Lost Souls Forever" and returns in FIFA12 with new single "Switchblade Smiles." Speaking for the band on the conference call, lead singer Tom Meighan spoke of his love for the series and how he's happy to be a part of it once more.

"For me, back in England, we’re huge on football…not soccer, football!" said Meighan, a Leicester City fan. "I remember FIFA being out in the mid-90s and it’s grown and grown into this massive game now and it’s great to be a part of it because it’s the best football game in the world. One of our first songs we put out was in an earlier version of the game about seven or eight years ago so it’s a real honor for us."

What's unique about FIFA is the global reach the game has as it's released worldwide and played by millions of people. This is huge for artists like Kasabian who maybe wouldn't be heard by certain music fans if it wasn't for its inclusion in the game.

"In other countries who maybe never hear us it’s important," said Meighan. "Radio stations are really dying out now and not what they used to be. You can hear music in many different ways today and FIFA is a huge empire of a game so we can reach all the corners of the world where people may not have heard us before."

Mark Foster of Foster The People echoed Meighan's sentiments in saying that exposure, especially for an up-and-coming outfit like his band, really helps move them in the right direction.

"I was really excited when we were asked to be in the game because I’ve been playing the last one like crazy," said Foster. "I played it all throughout our last tour and I got everyone on our bus into the game as well. The music on the game has really stuck out for me because it always features bands I’ve never heard of before. Sometimes with games you want to stop playing because the music sucks, but that’s not the case with FIFA."

The single "Call It What You Want" will be Foster The People's contribution to this year's game, a song that Foster describes as an "upbeat party song."

That type of memorable and high tempo song is what Schnur and the rest of the Music department at EA look for and something that Meighan tries to create for his band…when they aren't playing FIFA, that is."

“We play it on tour all the time, but [lead guitarist] Serge [Pizzorno] is really into it, it’s like a religion to him," said Meighan of his band's dedication to the franchise. "It’s a game you have to work at and really get involved with it. We’re all massive FIFA fans. Our music just has a certain energy to it and football is aggressive so it works when they come together."

Among the other 35 artists to be included on the soundtrack are Chase & Status, Cut Copy, Grouplove, Portugal. The Man, The Hives and TV On The Radio. FIFA12 will be available for purchase on Sept. 27 in North America.
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Coldplay: 'Rihanna collaboration is best bit of Mylo Xyloto'

Coldplay have counted their collaboration with Rihanna as the highlight of their upcoming LP Mylo Xyloto.

The 'Paradise' musicians worked alongside Rihanna on the track 'Princess of China' for their fifth album, due to hit stores October 26.

Frontman Chris Martin told MTV News that he wrote the track for the 'Cheers (Drink To That)' singer in particular and was surprised when she consented to lending her voice to it.

"So, in like a dream scenario, we had a song that I'd secretly kind of written to see if Rihanna would want to sing it. And then the rest of the band wanted to keep it, so we came up with the idea of asking her to sing it with us, and, to our great surprise, she said okay," Martin recalled.

Chris Martin from Coldplay performing on stage
© PA Images
Rihanna performs on day 2 of the V Festival held in Chelmsford, Essex, England
© WENN / Alex Broadway


"Well, her bit on our record is my favourite bit ... when the song came out, it sort of asked for her to be on it. And I think at this point, we have nothing to lose, and so we've been trying some new things and trying to break down the perceived boundaries between different types of music."

Martin went on to say that the track is a perfect example of Coldplay's attempt to continue breaking boundaries and pushing themselves to grow as artists, adding: "From where we're sitting, it seems like you can try and sound any way you like nowadays. You don't have to be in a rock box or a hip-hop box or a pop box, and I think it's fun when you embrace that idea."

Coldplay recently announced three UK tour dates at arenas around the country.
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Minggu, 18 September 2011

Kim Kardashian to produce new Pussycat Dolls reality series

http://i2.cdnds.net/11/35/M/music_vma_2011_kim_kardashian.jpgKim Kardashian has signed a deal to be an executive producer on a new Pussycat Dolls reality series.

The show will follow the launch of a new version of The Pussycat Dolls, with American Idol's Nigel Lythgoe acting as main producer.

Kardashian agreed to work on the programme because Lythgoe is "the best in the business".

A source close to production on the show told TMZ that the new hopefuls are "10 times better than the original group".

The Pussycat Dolls' former lineup, including Nicole Scherzinger, disbanded last year in order to pursue solo careers.

Their co-founder Robin Antin had previously spoken about hopes of rebooting the group with an entirely new lineup.
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REVIEW: Katy Perry delivers sweet but satisfying treat





Katy Perry performs at the BOK Center on Saturday night. Concert-goers were treated to a Candy Land set and at least 20 of Perry’s catchy little cream puffs of songs, mostly light on substance, but oh, so easy to devour. JEFF LAUTENBERGER/Tulsa World
Katy Perry performs at the BOK Center on Saturday night. Concert-goers were treated to a Candy Land set and at least 20 of Perry’s catchy little cream puffs of songs, mostly light on substance, but oh, so easy to devour. JEFF LAUTENBERGER/Tulsa World

Katy Perry made Tulsa the last American stop of this leg of her “California Dreams Tour” on Saturday night and it was obvious she had put on this show at least 100 times before.

Concert-goers were treated to a Candy Land set and at least 20 of Perry’s catchy little cream puffs of songs, mostly light on substance, but oh, so easy to devour. She opened with “Teenage Dream,” setting the stage for a dream sequence story line that played out on big screens and helped Perry segue between songs and sparkly costumes.

"Some of my first memories are from Tulsa, so I had to come back here," Perry told the sold-out crowd, noting that her younger brother was born here and later returned to attend Rhema Bible Training Center.

Other than that bit of banter, every word uttered and move of her body seemed painstakingly scripted and choreographed.

“Waking up in Vegas” and “E.T.” were the first big crowd pleasers, but Perry’s strong vocal talents were better displayed on “Pearl,” “Not Like the Movies” and “Who Am I Living for?”

Next, she sang an acoustic-only version of “The One That Got Away.” Then she took a ride on a platform of pink cotton candy, hovering out over the furthest reaches of the arena floor while giving a beautiful performance of the bittersweet "Thinking of You." Perry’s video montage turned into the trippy boat ride scene from the original Willy Wonka movie, complete with scenes of a maniacal butcher and knives plunging into bleeding cuts of beef interspersed with cupcakes and kitty cats.

But Perry satisfied every sweet tooth with songs about cherry Chapstick kisses in front of a backdrop of candy canes, lollipops, bubbles and backup dancers that at one point included gingerbread men.

Her well-tuned pop music machine cranks out thumping dance beats. And her simple, repetitive lyrics offer just a touch of naughty here and a double entendre there, so as to give some semblance of modern “edge.”

“California girls, we’re unforgettable. Daisy dukes, bikinis on top. Sun-kissed skin so hot we’ll melt your popsicle,” she sang, with her itty-bitty, paper white costume covered in candy dots.

Super hit “Hot-n-Cold” got everyone in the arena jumping, literally, and they danced straight through "Last Friday Night," and chanted "T.G.I.F."

Perry carefully selected at least 20 audience members to join her for some dancing along to a cover of Whitney Houston's "I Wanna Dance With Somebody."

She closed her regular set with her anthem, "Firework," complete with pyrotechnics, and the curtain came back up for "California Gurls," which Perry finished off with a blast of white foam from a cannon onto audience members.
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